On its first appearance in 1960, J.O. Urmson's Concise encyclopedia of Western philosophy and philosophers established itself as a classic. Its contributors included many of the leading philosophers of the English-speaking world: Ryle, Hare, Strawson, Ayer, Dummett, Williams and many others. They wrote with an authority and individuality which made the Encyclopedia into a lively and engaging introduction to philosophy as well as a convenient reference work. For this edition, supervised by Jonathan Rée, the original articles have been revised and (...) updated, and eighty articles by thirty one new authors have been added. The additions take account of recent developments in philosophy, of literary, historical and political issues in philosophy, and of developments in continental thought, including in Marxism, psychoanalysis, phenomenology, existentialism, structuralism, post-structuralism and deconstruction. There is a clear, integral cross-referencing system which allows the reader to identify points of overlap between philosophical traditions and their personalities at a glance. (shrink)

An ecumenical effort, sensitive to both the scriptural and dogmatic issues, and directed at laying open the often overlooked, historical and doctrinal affinities underlying Protestant and Catholic Marian theology. As O'Meara correctly points out, while Luther and Calvin did indeed remove Mary from some aspects of the Church, it was some of their later followers who removed her entirely from any essential involvement with the mystery of Christ and the Church. But as in all ecumenical discussions worthy of that name, (...) genuine difficulties are not glossed over. In particular O'Meara questions the prevailing, either/or tendency in Protestant theology not to admit the possibility of a middle range of worship, i.e., hyperdulia, as falling between latria and dulia. While the treatment is for the most part scrupulously fair, O'Meara's defense of the traditional Catholic exegesis of the "I know not man" passage, which is crucial for the Catholic teaching on the virginity of Mary, seems to place an unfair burden of proof on the Protestant interpretation, which is prima facie the more obvious one.—J. J. O. (shrink)

Moral philosophers tend to discriminate, explicitly or implicitly, three types of action from the point of view of moral worth. First, they recognize actions that are a duty, or obligatory, or that we ought to perform, treating these terms as approximately synonymous; second, they recognize actions that are right in so far as they are permissible from a moral standpoint and not ruled out by moral considerations, but that are not morally required of us, like the lead of this or (...) that card at bridge; third, they recognize actions that are wrong, that we ought not to do. (shrink)

Philosophical Analysis Its Development between the Two World Wars.

Aristotle's doctrine of the mean is not a counsel to perform mean or moderate actions. It states that excellence of character is a mean state with regard to the having and displaying of emotions. All emotions are morally neutral; character is shown by displaying emotions on the right occasions, Not too often or too rarely, Not too strongly or too weakly, For sufficient and only sufficient reasons, Etc. The difficulties for such a view presented by justice and such bad emotions (...) as envy are discussed. The conclusion is that basically aristotle's theory can resist critical scrutiny. (shrink)

Tradução para o português do capítulo 5 do livro "Berkeley" (Oxford University Press, 1982), Cap. 5, p. 47-57. Republicado em The British Empiricists: Locke, Berkeley, Hume (Oxford University Press, 1992).

J. O. Urmson; VIII*—A Defence of Intuitionism, Proceedings of the Aristotelian Society, Volume 75, Issue 1, 1 June 1975, Pages 111–120, https://doi.org/10.1093/.

Peter Kivy argues that Handel was the first composer to be regarded as a genius and that only in the eighteenth century was the philosophical apparatus in place that would enable any composer to be conceived of as a musical genius. According to Kivy, a Longinian conception of genius transformed Handel into a genius. A Platonic conception of genius was used to classify Mozart as a genius. Then Kant adopted a Longinian conception of genius and this shaped the perception of (...) Beethoven. Kivy is wrong on all counts. Composers were thought to be geniuses long before Handel. The emergence of philosophical aesthetics in the eighteenth century did little to shape conceptions of musical genius. More specifically, Kivy misrepresents Kant's conception of genius and the role that it plays in the recognition of Beethoven as a musical genius. (shrink)